The Kalin Twins!

Here are a couple of twin brothers from Port Jervis, New York who took a Paul Evans song (of Seven little Girls in the backseat fame) to Number 5…

The Kalin Twins

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Video: Kalin twins/ 1959 / France (Rare) / When

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Video: Kalin twins / Cliff Richard’s 30th Anniversary show/ 1989 / When

1.  When/ Decca 30642/ June 1958/ #5

2.  Forget Me Not/ Decca 30745/ October 1958/ #12

Herbert and Harold Kalin, twin brother harmony singers, sang like a pop-focused version of the Everly Brothers, and they charted a few catchy records in 1958, including one Top Five hit. They represent one of the better acts to find a compromise between rock & roll and pop music, even if they weren’t the Everlys by a long shot.

Although Herbert and Harold were born in the same period as Elvis Presley, they came from more of a middle-class background, and from much further north as well. Not surprisingly, their musical preferences lay more with the pop music that preceded Elvis (so, to some degree, did Presley‘s own taste), and their music was closer in spirit to that tamer third wave of rock & roll, exemplified by Bobby Darin, Paul Anka, and Dion DiMucci.

The Kalins grew up in Port Jervis, NY, and pursued music as a career while in their teens. Their listening ran toward Tony Bennett, Johnny Ray, and Nat King Cole — they weren’t allowed to listen to R&B, although they did get to hear records by LaVern Baker, Ruth Brown, and other R&B stars of the period, even if these weren’t central to their taste or experience.

Their aspirations to a recording career were delayed until Harold‘s stint in the Army was over, and the two moved to Washington, D.C., in 1957. This led them to a hookup with songwriter Clint Ballard, who helped them land a contract with Decca Records.

The Kalins‘ first recording session took place in December of 1957, by which time the rock & roll boom was in full swing — the record company wanted them to compete for the teen market and insisted that they try something close in spirit and beat to the newer sounds.

Their first session yielded a trio of songs that went nowhere, but they struck gold three months later with “When,” a catchy romantic pop/rocker with a good beat (originally intended as a B-side) that rose to #5 in the United States and #1 in England.

They appeared on The Milt Grant Show, Washington’s answer to American Bandstand, and became nationally known, appearing on the typical package tours of the period.

Forget Me Not,” a hastily scheduled and recorded follow-up done while they were on the road promoting the big hit, was notably less successful.

Their next single, the ethereal and catchy “It’s Only the Beginning,” however, could have been close in spirit to the Everly Brothers, but for the inclusion of the chorus behind the brothers. During this period, they also recorded a pair of their own songs, “Clickety Clack” and “Oh! My Goodness.”

By the middle of 1959, they were working in Nashville with Owen Bradley and doing songs by, among others, Felice and Boudleaux Bryant, who had previously supplied the Everlys with material. The Bryants‘ “Sweet Sugar Lips” — the Kalins’ final chart entry, at #97 — was as close to the Everlys’ sound as the Kalins ever got, soft country-based rock complete with Hank Garland on guitar and Floyd Cramer at the piano.

Meanwhile, out on the road, the Kalins also performed in England, opening for Cliff Richard.

Back home, the Kalin Twins kept recording until 1962, even hooking up with their one-time mentor, Clint Ballard.

Among the highlights of the later part of their recording career were the duo’s cover of “Zing, Went the Strings of My Heart,” which recalled “When,” and their soaring cover of “Picture of You,” a hit in England for Brit-rocker Joe Brown (Paul McCartney has also been known to sing it, though not formally in concert).

They also left behind a body of unreleased material from Nashville, featuring Garland and Cramer, that was fairly solid pop/rock.

As the 1960s dawned, the Kalins moved away from teen-oriented numbers, preferring to perform more mature material. Curiously, although their influence in the United States was minimal, it is probable that their number one hit in England with “When” was an influence on the fortunes and perhaps even the sound of the Brook Brothers, an English brother act (signed to Pye Records) with a nearly identical sound.

The Kalins ceased recording after 1962, but three decades later, they were still performing as a pop-nostalgia act before audiences in their 50s. ~ Bruce Eder, All Music Guide. 

 Disillusioned with their diminishing rewards brothers mutually agreed to return to their day jobs, with each pursuing college degrees.

They did not perform again until 1977 when a friend booked them to appear weekly at his new night spot, the River Boat Club. This led to a further one-off commitments, in which they were sometimes joined by younger sibling Jack to emerge as the Kalin Brothers.

A brace of singles appeared on small labels: “Silver seagull” and “American Eagle” both used the same backing track. 

They disappeared again until old hand support Cliff Richard invited them to play at his 30th anniversary show in 1989. [See 2nd video above, Cliff doing backup vocals]

Tragically, Harold Kalin was killed in a car accident in August 2005. His brother suffered a fatal heart attack less than a year later. 

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4 responses to “The Kalin Twins!

  1. I hate to say, when I was a kid and they would play this on KRLA I thought this was the Everly Brothers… it hasn’t been on the radio in so long, the oldies stations have dropped the 50′s altogether, so sad…

    • The Oldies stations have dropped the 50′s!!!!!!!!!! Whoa!
      What do they consider “old” these days??? – The 80′s??? Yikes.
      I guess it’s all about Marketing and Demographics, but I’m rather surprised because I thought the “Boomer” generation would still be regarded as significant spenders.

  2. There are still oldies stations around that play 50′s music……..two are 1150 am, Hamilton and 740 am, Toronto.

    • Laila: The absolute best “50′s” Station is on Sirius Radio, Fifties on 5, they also have Sixties on 6 and so on. They play music that no stations play. They have Norm Nite from the Rock and Roll Hall of Fame,Cool Bobby B’s Doo Wop Stop,Pink & Black Days and Rockabilly Road trip. Now because they play only 50′s 24 x 7 they have to look well beyond the top 10, top 40 or even top 100. I have actually heard songs, that even I do not remember or I may never have heard it in the fist place. I have talked, via email to Pat St. John and Dave Hoeffel, they really know the Fifties and music in general. So if you are tired of hearing the same old Top 10, look at Sirius. The Chum Chart was top 50 and there was a top 100 chart. I have found songs that never made it into the top 40 that I just love, like Henrietta by Jimmy Dee & the Offbeats it only made it too #47 on Billboard in 1957, but I loved it and purchased it.
      Gary

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