Russ, I know that you are going to like this one. I worked hard on it with very limited resources. I am using the Billboard Top 40 book which runs from 1955 to 2000, so this one was a huge problem, but here goes. This starts before charts where kept and before black artists made it to the hit parade, but Ruth did it. So this is the House that Ruth Built. – Gary
2. Teardrops from my eyes/1950/# 1 on the R&B chart
3. 5-10-15 Hours/1952/ # 1 on the R&B chart
4. Mama he treats your daughter mean/1953/# 1 on the R&B & 23 on the Pop Chart
5. Oh, what a dream/1954/ # 1 on R&B
6. Lucky Lips/Atlantic 1125/ 3/2/57/ # 25 on the Billboard Top 40
7. This Little Girl’s gone a-Rockin’/Atlantic 1197/ 10/13/58/# 24 on the Billboard Top 40
Ruth Brown (January 30, 1928 – November 17, 2006) was an American R&B singer, and actress noted for bringing a popular music style to Rhythm and Blues in a series of hit songs for fledgling Atlantic Records in the 1950s, such as “So Long”, “Teardrops from My Eyes” and “(Mama) He Treats Your Daughter Mean.” For these contributions, Atlantic became known as “The house that Ruth built.”
Following a resurgence that began in the mid-1970s and peaked in the eighties, Brown used her influence to press for musicians’ rights regarding royalties and contracts, which led to the founding of the Rhythm and Blues Foundation. Her performances in the Broadway musical Black and Blue earned Brown a Tony Award, and the original soundtrack won a Grammy Award.
Born Ruth Alston Weston in Portsmouth, Virginia, she attended I. C. Norcom High School, a historically black high school. Brown’s father was a dockhand who directed the local church choir, but the young Ruth showed more of an interest in singing at USO shows and nightclubs. She was inspired by Sarah Vaughan, Billie Holiday and Dinah Washington.
In 1945, Brown ran away from her home in Portsmouth along with a trumpeter, Jimmy Brown, whom she soon married, to sing in bars and clubs. She then spent a month with Lucky Millinder’s orchestra, but was fired after she brought drinks to the band for free, and was left stranded in Washington, D.C.
Blanche Calloway, Cab Calloway’s sister, also a bandleader, arranged a gig for Brown at a Washington nightclub called Crystal Caverns and soon became her manager. Willis Conover, a Voice of America disc jockey, caught her act and recommended her to Atlantic Records bosses, Ahmet Ertegün and Herb Abramson. Brown was unable to audition as planned though, because of a serious car accident that resulted in a nine-month hospital stay.
In 1948, however, Ertegün and Abramson drove to Washington from New York City to hear her sing in the club. Although her repertoire was mostly popular ballads, Ertegün convinced her to switch to Rhythm and Blues. His productions for her, however, retained her “pop” style, with clean, fresh arrangements and the singing spot on the beat with little of the usual blues singer’s embroidery.
In her first audition, in 1949, she sang “So Long”, which ended up becoming a hit.
This was followed by Teardrops from My Eyes in 1950. Written by Rudy Toombs, it was the first upbeat major hit for Ruth Brown, establishing her as an important figure in R&B.
Teardrops From My Eyes
Recorded for Atlantic Records in New York City in September 1950, and released in October, it was on Billboard’s List of number-one R&B hits (United States) for 11 weeks. The huge hit earned her the nickname “Miss Rhythm” and within a few months Ruth Brown became the acknowledged queen of R&B.
She followed up this hit with “I’ll Wait for You” (1951), “I Know” (1951), “5-10-15 Hours” (1953), “(Mama) He Treats Your Daughter Mean” (1953), “Oh What a Dream” (1954), “Mambo Baby” (1954) and “Don’t Deceive Me” (1960).
5-10-15 Hours Mama, He Treats Your Daughter Mean Oh What A Dream
She also became known as “Little Miss Rhythm” and “the girl with the teardrop in her voice”. In all, she was on the R&B charts for 149 weeks from 1949 to 1955, with 16 top 10 blues records including 5 number ones, and became Atlantic’s most popular artist, earning Atlantic records the proper name of “The House that Ruth Built.”
Lucky Lips This Little Girl's Gone A-Rockin'
During the 1960s, Brown faded from public view to become a housewife and mother, and only returned to music in 1975 at the urging of Redd Foxx, followed by a series of comedic acting gigs, including a role in the sitcom Hello, Larry and the John Waters film Hairspray as local DJ Motormouth Maybelle, as well as Broadway appearances in Amen Corner and Black and Blue, which earned her a Tony Award for her performance and a Grammy award for her album Blues on Broadway, featuring hits from the show.
Brown’s fight for musicians’ rights and royalties in 1987 led to the founding of the Rhythm and Blues Foundation. She was inducted as a Pioneer Award recipient in its first year, 1989. In 1993, she was inducted into the Rock and Roll Hall of Fame, as “The Queen Mother of the Blues”.
She has become an iconic symbol to many black women for later generations, where she is also a favorite artist and inspiration for later blues artists such as Bonnie Raitt.
Brown recorded and sang along with fellow rhythm and blues performer Charles Brown, a member of the Rock and Roll Hall of Fame, and toured with Raitt on Raitt’s tour in the late 1990s, “Road Tested”. Her 1995 autobiography, Miss Rhythm, won the Gleason Award for music journalism.
Ruth Brown was the oldest of seven children. Her husband Jimmy Brown (trumpeter) was found to be already married.
Earl Swanson (saxophonist), married her in 1955; father of her son Earl Swanson Jr.
Bill Blunt (police officer), married her three years.
She had a son, Ronald David Jackson (“Ronnie”), with Drew Brown, though he grew up believing that her former companion and accompanist Willis “Gator” Jackson was his father.
She also had a brief relationship with Clyde McPhatter of the Drifters.
Her nephew Rakim is considered one of the most influential rappers in the history of the hip hop genre.
Brown died in a Las Vegas-area hospital on November 17, 2006, from complications following a heart attack and stroke she suffered after surgery in October 2006. A memorial concert for her was held on 22 January 2007 at the Abyssinian Baptist Church in Harlem, New York.