So much sad news about the passing of a larger than life saxophonist who brought us love, joy and good music…
Clemons – known affectionately to fan and friends as the Big Man – was the heart and soul of the E Street Band. His playing on tracks like “Born To Run,” “Thunder Road,” “Jungleland,” “Dancing In The Dark” and countless more represent some of the most famous sax work in the history of rock & roll.
NEW YORK — Clarence Clemons, the larger-than-life saxophone player for the E Street Band who was one of the key influences in Bruce Springsteen’s life and music through four decades, has died. He was 69.
Clemons died Saturday night after being hospitalized about a week ago following a stroke at his home in Singer Island, Fla.
Springsteen acknowledged the dire situation earlier this week, but said then he was hopeful. He called the loss “immeasurable.”
“We are honored and thankful to have known him and had the opportunity to stand beside him for nearly 40 years,” Springsteen said on his website. “He was my great friend, my partner and with Clarence at my side, my band and I were able to tell a story far deeper than those simply contained in our music. His life, his memory, and his love will live on in that story and in our band.”
Known as the Big Man for his imposing 6-foot-5-inch, 270-plus pound frame, Clemons and his ever-present saxophone spent much of his life with The Boss, and his booming saxophone solos became a signature sound for the E Street Band on many key songs, including “Jungleland,” a triumphant solo he spent 16 hours perfecting, and “Born To Run.”
In recent years, Clemons had been slowed by health woes. He endured major spinal surgery in January 2010 and, at the 2009 Super Bowl, Clemons rose from a wheelchair to perform with Springsteen after double knee replacement surgery.
But his health seemed to be improving. In May, he performed with Lady Gaga on the season finale of “American Idol,” and performed on two songs on her “Born This Way” album. Just this week, Lady Gaga’s video with Clemons, “The Edge of Glory,” debuted.
Clemons said in a 2010 interview with The Associated Press then that he was winning his battles — including severe, chronic pain and post-surgical depression. His sense of humor helped.
“Of all the surgeries I’ve had, there’s not much left to operate on. I am totally bionic,” he said.
“God will give you no more than you can handle,” he said in the interview. “This is all a test to see if you are really ready for the good things that are going to come in your life. All this pain is going to come back and make me stronger.”
Outside The Stone Pony, the legendary Asbury Park, N.J., rock club where Springsteen, Clemons and other E Street Band members cut their teeth in the 1970s, Phil Kuntz stopped to place a small yellow flower on a decorative white fence. Nearby, someone taped a handwritten sign that read simply “RIP Big Man.”
“I’ll never hear ‘Jungleland’ played live again, and that’s a bummer,” said Kuntz, 51, who had seen Clemons perform with Springsteen in excess of 200 times.
Caroline O’Toole, The Stone Pony’s general manager, called it “a sad day for Asbury Park.”
“He was ‘the Big Man’ but he was an even bigger man here,” she said. “His presence was just enormous and unbelievable. No one who has ever played at our club in all the decades was ever like him.”
John D’Esposito, a talent buyer for the concert promoter Live Nation, also stopped by the club.
“Asbury Park is crying right now,” he said. “It’s like the whole city is one big teardrop. Our Pied Piper is gone.”
Reaction came from across the entertainment industry.
“Clarence Clemons was an electric, generous, sweet spirit. Taught me how to look cool with a sax. Goodbye Big Man,” tweeted actor Rob Lowe.
Added Questlove, drummer for the Roots: “RIP Clarence Clemons. A True Legend. Will be absolutely missed.”
An original member — and the oldest member — of the E Street Band, Clemons also performed with the Grateful Dead, the Jerry Garcia Band, and Ringo Starr’s All Star Band. He recorded with a wide range of artists including Aretha Franklin, Roy Orbison and Jackson Browne. He also had his own band called the Temple of Soul.
The stage “always feels like home. It’s where I belong,” Clemons, a former youth counselor, said after performing at a Hard Rock Cafe benefit for Home Safe, a children’s charity, in 2010.
Born in Norfolk, Va., Clemons was the grandson of a Baptist minister and began playing the saxophone when he was 9.
“Nobody played instruments in my family. My father got that bug and said he wants his son to play saxophone. I wanted an electric train for Christmas, but he got me a saxophone. I flipped out,” he said in a 1989 interview with the AP.
He was influenced by R&B artists such as King Curtis and Junior Walker. But his dreams originally focused on football. He played for Maryland State College, and was to try out for the Cleveland Browns when he got in a bad car accident that made him retire from the sport for good.
His energies then focused on music.
In 1971, Clemons was playing with Norman Seldin & the Joyful Noise when he heard about rising singer-songwriter named Springsteen, who was from New Jersey. The two hit it off immediately and Clemons officially joined the E Street Band in 1973 with the release of the debut album “Greetings from Asbury Park.”
Clemons emerged as one of the most critical members of the E Street Band for different reasons. His burly frame would have been intimidating if not for his bright smile and endearing personality that charmed fans.
“It’s because of my innocence,” he said in a 2003 AP interview. “I have no agenda — just to be loved. Somebody said to me, ‘Whenever somebody says your name, a smile comes to their face.’ That’s a great accolade. I strive to keep it that way.”
But it was his musical contributions on tenor sax that would come to define the E Street Band sound.
“Since 1973 the Springsteen/Clemons partnership has reaped great rewards and created insightful, high energy rock & roll,” declared Don Palmer in Down Beat in 1984. “Their music, functioning like the blues from which it originated, chronicled the fears, aspirations, and limitations of suburban youth. Unlike many musicians today, Springsteen and Clemons were more interested in the heart and substance rather than the glamour of music.”
In a 2009 interview, Clemons described his deep bond with Springsteen, saying: “It’s the most passion that you have without sex.”
“It’s love. It’s two men — two strong, very virile men — finding that space in life where they can let go enough of their masculinity to feel the passion of love and respect and trust,” he added.
Clemons continued to perform with the band for the next 12 years, contributing his big, distinctive big sound to the albums, “The Wild, The Innocent and the E-Street Shuffle,” ”Born to Run,” ”Darkness on the Edge of Town, “The River” and “Born in the USA.” But four years after Springsteen experienced the blockbuster success of “Born in the USA” and toured with his group, he decided to disband the E Street Band.
“There were a few moments of tension,” the saxophonist recalled in a 1995 interview. “You’ve been together 18, 19 years. It’s like your wife coming to you: ‘I want a divorce.’ You start wondering why? Why? But you get on with your life.”
During the breaks, Clemons continued with solo projects, including a 1985 vocal duet with Browne on the single “You’re a Friend of Mine” and saxophone work on Franklin’s 1985 hit single “Freeway of Love.” He released his own albums, toured, and even sang on some songs.
Clemons also made several television and movie appearances over the years, including Martin Scorsese’s 1977 musical, “New York, New York, in which he played a trumpet player.
The break with Springsteen and the E Street Band didn’t end his relationship with either Springsteen or the rest of the band members, nor would it turn out to be permanent. By 1999 they were back together for a reunion tour and the release of “The Rising.”
But the years took a toll on Clemons’ body, and he had to play through the pain of surgeries and other health woes.
“It takes a village to run the Big Man — a village of doctors,” Clemons told The Associated Press in a phone interview in 2010. “I’m starting to feel better; I’m moving around a lot better.”
He published a memoir, “Big Man: Real Life and Tall Tales,” in 2009 and continued to perform.
Clarence’s web site: http://bigmanclemons.com/