A man from Fargo North Dakota had the opportunity to do a fill-in after “The Day The Music Died“; he put a band together called “The Shadows”. Some people think he sounded a little like Buddy; – not to me – Buddy was a Rock and Roll Singer whereas Bobby was a Pop Star.
1. Devil or Angel (Clovers hit 1956)/ Liberty 55270/ September 1960/ #6
2. Rubber Ball/ Liberty 55287/ December 1960/ # 6
3. Stayin’ In/ Liberty 55296/ February 1961/ #33
4. Take Good Care Of My Baby/ Liberty 55354/ August 1961/ #1 (3)
5. Run To Him/ Liberty 55388/ November 1961/ #2
6. Please Don’t Ask About Barbara/ Liberty 55419/ March 1962/ #15
7. Sharing You/ Liberty 55451/ June 1962/ # 15
8. Punish Her/ Liberty 55479/ September 1962/ #20
9. The Night Has A Thousand Eyes/ Liberty 55521/ December 1962/ #3
10. Charms/ Liberty 55530/ April 1963/ #13
11. Be True To Yourself/ Liberty 55581/ July 1963/ #34
12. Come Back When You Grow Up Girl/ Liberty 55964/ Dec 1967/ #3 (Bobby Vee & the Strangers)
13. Beautiful People/ Liberty 56009/ December 1967/ #37 (with the Strangers)
14. My Girl/ Hey Girl/ Liberty 56033/ May 1968/ #35
His career launched as a fill-in for the recently deceased Buddy Holly, Bobby Vee scored several pop hits during the early ’60s, that notorious period of popular music sandwiched between the birth of rock & roll and the rise of the British Invasion.
Though a few of his singles — “Rubber Ball,” for one — were as innocuous as anything else from the era, Vee had a knack for infectious Brill Building pop, thanks to his ebullient voice as well as the cadre of songwriters standing behind him.
Born in Fargo, North Dakota in 1943, Robert Thomas Velline was still in his teens when he formed his first combo, “the Shadows”, with his brother Bill and their friend Bob Korum. The trio were playing around the area when their big break came, [ironically] at the expense of one of Bobby’s musical idols: the Winter Dance Party package tour, with Buddy Holly, Ritchie Valens and the Big Bopper were on their way to Fargo when their plane went down in Iowa, killing all three.
The Shadows were scheduled to play the date as a replacement to Holly, and several months later, producer Tommy “Snuff” Garrett supervised their first recording session and the release of the single “Suzie Baby” on Soma Records. Liberty/RCA picked up the single later in the year, and though it just barely scraped the pop charts, the label kept plugging with Vee as a solo act, recording him on Adam Faith’s “What Do You Want?,” which also failed to move.
With the collective might of the Brill Building behind him, though, Vee was guaranteed to make it; his third single, “Devil or Angel,” hit the Top Ten in mid-1960, followed by “Rubber Ball” later that year.
One year later, Vee’s biggest hit, “Take Good Care of My Baby,” spent three weeks at number one, followed by the number two “Run to Him.”
His fame appeared to wane after the 1962 Top Ten single “The Night Has a Thousand Eyes,” due in large part to the success of the Beatles and other English acts.
Vee appeared in several movies (Just for Fun, Play It Cool) and briefly tried to cash in on the British phenomenon — with the disappointing Bobby Vee Sings the New Sound from England! — but also recorded songs by his early influences, including Buddy Holly and the Crickets.
Bobby Vee continued to chart throughout the 1960s, and even hit the Top Ten again in 1967 with “Come Back When You Grow Up,” but after a brief attempt at more serious recordings, he hit the rock & roll oldies circuit. ~ John Bush, All Music Guide