The Band

Gary: “Here is a group that was a favourite of mine, but they had only two records in the top 40.  Writing this Post may seem a little self indulgent on my part, being Canadian and this group being Canadian (all but one) – but back in the early 1960s I watched them develop as musicians when they called themselves the “Hawks” (as in Ronnie Hawkins and the Hawks).  I watched guitarist Robbie Robertson play in many of the clubs on Toronto’s Yonge Street Strip.  I know that their friendship was a little strained at times, but not when I was watching either the Hawks or “The Band”, they were great—-

Robbie Robertson

From the movie, The Last Waltz

Levon Helm

The Band
1967–1976
  • Robbie Robertson – guitar, vocals, autoharp, melodica
  • Rick Danko – bass, vocals, double bass, fiddle, trombone, guitar
  • Levon Helm – drums, vocals, mandolin, guitar, bass, double bass
  • Richard Manuel – piano, vocals, drums, organ, marimba, lap slide guitar
  • Garth Hudson – keyboards, saxophone, accordian, pedalboard, woodwinds, brass

Videos:

In 1970, Summer in Canada/ Slippin’ and Slidin’/


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The Weight/ from The Last waltz/


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Don’t Do It / from The Last Waltz

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Who Do You Love / from The Last Waltz / Ronnie Hawkins

.

Mystery Train / Paul Butterfield and The Band

.

1.  The Weight/ Capitol/ 1968/ #65


2.  Up on Cripple Creek/ Capitol 2635/ November 1969/ # 25


3.  Rag Mama Rag/ Capitol / 1970/ # 53


4.  Life is a Carnival/ Capitol/ 1971/ # 72


5.  Don’t Do It/ Capitol 3453/ October 1972/ # 34



.

The Band was an influential Canadian-American rock and roll group of the 1960s and ’70s,  formed in Toronto, Ontario, Canada. 

The members of The Band first worked together as The Hawks, the backing band of rockabilly singer Ronnie Hawkins from 1959 until 1963. Afterwards, Bob Dylan recruited the quintet for his history-making 1965/1966 world tour and they joined him on the informal recordings that became the acclaimed Basement Tapes.

Dubbed “The Band” by their peers, the group left the comfort of their communal home in Saugerties, NY to begin recording as a group unto themselves.

The Band recorded two of the most important albums of the late 1960s: their 1968 debut Music from Big Pink (featuring the hit single “The Weight”) and 1969’s The Band.

These critically praised albums helped conceive country rock as something more than a genre, but rather as a celebration of “Americana.” As such, throughout their career they would repopularize traditional American musical forms during the psychedelic era.

The Band dissolved in 1976; Martin Scorcese’s landmark concert film “The Last Waltz” documented their final performance. They reformed in 1983 without founding guitarist and main songwriter Robbie Robertson.

Although always more popular with music journalists and fellow musicians than the general public, The Band has remained an admired and influential group. They have been inducted into the Canadian Music Hall of Fame and the Rock and Roll Hall of Fame.

Their music fused many elements: primarily old country music and early rock and roll, though the rhythm section often had a bouncy, funky punch reminiscent of Stax or Motown, and Robertson cites Curtis Mayfield and the Staple Singers as major influences.

At its best, however, The Band’s music was an organic synthesis of many musical genres which became more than the sum of its parts. The group’s songwriting was also remarkable as, unlike much earlier rock and roll, and following upon the example set previously by The Byrds, very few of their early compositions were based on conventional blues and doo-wop chord changes.

 Excepting Robbie Robertson, all members of the group were multi-instrumentalists; each person’s primary instrument is listed first.

There was little instrument-switching when they played live, but when recording, the musicians could offer all manner of subtle aural colors and textures to enhance songs. Garth Hudson in particular was able to coax an impressive range of timbres from his Lowrey electronic organ; on the choruses of “Tears of Rage”, for example, it sounds startlingly like a mellotron.

Levon Helm’s drumming was rarely flashy, but he was often praised for his subtlety and funkiness. Critic Jon Carroll famously declared that Helm was “the only drummer who can make you cry,” while prolific session drummer Jim Keltner admits to appropriating several of Helm’s techniques.

Singers Manuel, Danko, and Helm each brought a distinctive voice to The Band: Helm’s gritty, southern voice had more than a hint of country, Danko sang in a soaring, unfettered tenor, and Manuel alternated between fragile falsetto and a wounded baritone.

The singers regularly blended in unorthodox, but uncommonly effective harmonies. Though the singing was more or less evenly shared between the three men, both Danko and Helm have stated that they saw Manuel as the Band’s “lead” singer.

Robertson was the unit’s chief songwriter (though he sang lead vocals on only three or four songs in The Band’s career). This role, and Robertson’s resulting claim to the copyright of most of the compositions, would become a point of much antipathy between the group’s members, especially between Robertson and Helm.

Producer John Simon is cited as a “sixth member” of The Band for producing and playing on Music from Big Pink, co-producing and playing on The Band, and playing on other songs up through The Band’s 1993 reunion album Jericho.

On 10 December 1999 is when Rick Danko died in his sleep at age 56. He had been a long-time drug user. In 1997 he had been found guilty of trying to smuggle heroin into Japan. He told the presiding judge that he had begun using the drug (together with prescription morphine) to fight life-long pain resulting from a 1968 auto accident. No drugs were found in his system at the time of his death. Following the death of Rick Danko, The Band broke up for good.

These are the original members who are deceased:

Rick Danko / December 10, 1999 

Levon Helm / April 2012  

Richard Manuel / March 4, 1986

 

–o–

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2 responses to “The Band

  1. Richard Manuel died in 1984. Show some respect to the man.

  2. To Matt B: Richard Manuel died March 4, 1986, not 1984 and we did not intentionally disrespect him, it was just an omission, nothing to do with respect. You need to know a lot more about us before you accuse “US” of not showing respect, nothing could be further from the truth, but of course you did not think to consider that before your accusation.
    Gary

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