Gary: I have decided to indulge myself just a little tonight. I have been doing this for over 5 years now so I wanted to do something really different, but still stay in the Music Mode. So, let’s go on a trip!
Band of Oz History
In the mid sixties the group known as Band of Oz had its humble beginnings in eastern North Carolina (Grifton) . It was a bunch of grammar and junior high school guys ( because no one was old enough to drive) being hauled around in Ray Houston’s Chevy station wagon pulling a little red trailer. The group at that time was called The Avengers.
As the mid sixties would have it the band was a guitar and keyboard group playing the sock hops at area schools, private parties and an occasional club whenever the owner would risk having them. The later part of the sixties saw the group bring in a horn section which brought a big change in the music. Freddy Tripp (Band of Oz, Dynamic Upsetters, Embers, Shakers, Breeze Band etc.) and Jimmy Smith were the first horn players. Until the name change around 1970 three members of the group had remained the same Johnnie Byrd, Buddy Johnson and Keith Houston.
As area available players (school mates of members) ran out, the band got its first player from the Greenville, NC Chuck French on trumpet. When the name was changed to the Band of Oz in 1970 most of the group was from the Greenville area, Chuck French / Trumpet, Gary Warren/sax, Randy Hignite/Keyboards , Jim Heidenreich/drums, all of Greenville and Johnnie Byrd/bass, Buddy Johnson/vocals and Keith Houston /guitar. Around 1971 another long time member Billy Bazemore replaced Buddy Johnson on vocals. Through the early seventies they continued playing the Frat parties private functions and clubs in the southeast.
In late 1976 the band now comprised of members from Raleigh to Greenville decided to try it as a full time band. Members were Chuck French /trumpet, Bob Lynch/sax, Ronnie Forbes/keyboards, Shep Fields/bass, Freddy Tripp (returning)Trumpet, Billy Bazemore/vocals, David Hicks /drums and Keith Houston /guitar. They hit the road traveling extensively in the Southeast playing the club circuit.
In the late seventies the band decided to try and cut back on some of the traveling and concentrate more on the Carolinas. They recorded and released their first single Shaggin’ written by Billy Bazemore and Keith Houston in 1978. The radio airplay and promotion seemed to catapult the group to another level. In 1979 they recorded their second single “Star of My Life” written by Chuck French.
The next big personnel change came in 1980 when John Thompson ( Monzas, Embers) and Butch Barnes (Songbird) joined the group. John’s baritone vocal gave the group a new facet and Butch’s sax and stage presence only enhanced the show. In 1982 (now working Mike Branch) the group recorded Ocean Boulevard written and produced by General Johnson and Warren Moise. Ocean Boulevard went on to be voted Beach Music song of the year and the group won Best New Group at the BMA show. Their first album (real vinyl) “Keep Keepin’ It Up” ( title track written by Tommy Red of Nantucket) was released on Surfside Records. In October of 1983 David Franks Replaced Mickey Hardy on keyboards.
In 1985 Butch Barnes and Billy Bazemore left the group and were replaced by Chris Keaton (High and Mighty The Kings) on sax and Doug Adams (Entertainers, Bill Deal, Fat Ammon’s Band) . Doug left and was replaced by Gary Brown. The group started working their second album containing ” Over the Rainbow ” which was arranged by Chris. The album ” One More Step ” was completed and released on Metro Records in 19 . It was one of first regional projects released on CD.
After the release of ” One More Step ” the group continued performing 200 to 300 shows per year.
In 1991 after being gone since 1985 Butch Barnes returned . Work on their third CD began in the early 90′s this project was handled by the group themselves and recorded at CMC in Zebulon, NC, then released on Ripete Records in 1995. This CD ” Let It Roll ” contains “Shama Lama Ding Dong” the People’s Choice Song of the Year at the Cammy Awards in 1995. It is still one of the most requested beach songs of all time.
1996 brought on big changes when John Thompson decided to get off the road. Jerry West was brought in as his replacement. The change actually expanded the versatility of the group by adding a high tenor lead voice that was able to cover more and different types of material. Once the transition was made, the guys started working on a third CD. Work on this project was stopped mid stream when Jerry decided to leave for Nashville. Rick Strickland (Shag Time) from Columbia, SC replaced Jerry on bass and vocal. Within a year and a half Jerry was back. The line-up at that time was David Hicks /drums, Chuck French /trumpet, Butch Barnes /sax, Keith Houston /keys and guitar, Rick Strickland /bass and Jerry West /guitar. Within months of the release of ” Dancing in the Streets ” Rick Strickland left. At this time David Franks re-joined the group on keyboards.
After working on their last project for over a year the Band of Oz released their latest CD ” Over the Rainbow ” They feel it is one of, if not their best work ever.
In March 2005, Band of Oz owners Keith Houston and David Hicks decided to bring a new, youthful sound to the band after Butch Barnes announced that he would be leaving in April 2005. At that time, Scott Fine /Vocals and Trombone, Tim Morris /Vocals and Trumpet, and Daniel Morris /Saxophone and Vocals joined the Band of Oz to bring a new youth and a BIG new sound to the band.
- Thomas “Butch” Barnes: saxophone & vocals (1980–1985, 1991-April 2005)
- Billy Bazemore: vocals (1971–1985)
- Rick Brogden: keyboards (was an “ex-Ozzer” on “Let In Roll” in 1995)
- Johnny Byrd: bass (1967-before 1976)
- Roland Colsen: saxophone (1975–76)
- Charlie Satterwhite: saxophone (1975-76)
- Shep Fields: bass
- Scott Fine: vocals, trombone (2005–present)
- Ronnie Forbes: keyboards & vocals (1976-19??)
- David Franks: keyboards, harmonica, vocals (October 1983-19??, 1999–present)
- Chuck French: trumpet & vocals (by 1970–present)
- Mickey Hardie: keyboards (19??-October 1983)
- Jim Heidenreich: drums (1970-before 1976)
- David Hicks: drums (by 1976–present)
- Randy Hignite: keyboards 1969-1976
- Keith Houston: guitar (1967–present)
- Buddy Johnson: vocals (1967–1971)
- Bob Lynch: saxophone (by 1976-1980)
- Daniel Morris: saxophone & vocals (2005–present)
- Tim Morris: trumpet & vocals (2005–present)
- Rick Sanders: keyboards (?-1995-?)
- Jimmy Smith: horns (1967-by 1970)
- Rick Strickland: bass, vocals (1997?-1999)
- “Big” John Thompson: bass, lead vocals (1980–1996)
- Freddy Tripp: horns (1967-by 1970)
- Gary Warren: saxophone (1970-by 1976)
- Jerry West: guitar, vocals (1996-1997?,1999–present (took a 1½yr. leave)
Dancing the Shag or “Shaggin” in North Myrtle Beach
Junior Shag Team 2010 Fund Raiser / Boat Dock by Ray Sharpe (Linda Lu) /
My Favourite Shag Dancing Tunes
The year? 1945. The place? Ocean Drive in Myrtle Beach, SC. An old beach house has withstood the test of Hurricane Hazel and been converted into a beer joint. Teenagers pack in from one wall to the other on a hard-packed dirt floor. There is a jukebox playing Rhythm & Blues and cold beer is being passed through a hole in a nearby wall. This place was known as “The Pad!” It was slowly upgraded to have wood plank floors and low ceilings. It definitely had the makings of a good Rhythm & Blues club!
“The Pad” would become known as a fortress for “SHAG” to teens in Myrtle Beach, SC…
What is “Shag” you ask? It’s a phenomenal dance craze that started in Myrtle Beach in the 1940 and 1950’s. Local teens invented the dance step that is most suited to Rhythm & Blues music. But “Shag” is much more than a style of swing dancing; it is a way of life for people from Virginia Beach to Florida! Some may even refer to it as a “religion.”
What is this dance that has gained so much attention?
It is a 6-count, basic pattern dance with East Coast Swing. There is a rearrangement of the footwork that makes it look and feel unique. All the action occurs below the waist, though instructors tend to teach a very standard basic pattern.
True seasoned “Shaggers” take pride in adopting their own versions of the dance, each being distinctive and smooth. Using the balls of their feet and small steps, “Shaggers” manage to perform this very “cool” style of dance to individual perfection!
Not only have the Carolina’s been famous for “Shag,” but they are also home to “Beach Music,” better known as Rhythm & Blues. But as “Shag” has evolved, so has the music. Now “Shaggers” enjoy performing their magic to everything from gospel to music from the big band era (known in the Carolina’s as “Smoothies.”)
This Myrtle Beach “pastime” has become much larger in nature with Shag Clubs popping up everywhere. All of the clubs are members of the Association of Carolina Shag Clubs. The “Shag” has even been declared the official dance of the state of South Carolina!
Today there are major events such as the Grand Nationals in Atlanta where “Shaggers” can show their stuff and compete against the best in the country. “Shag” has even spread internationally to London, Ontario, where it is a favourite for many.
“Shag” has become such a way of life to so many people that it is hard to imagine a time before “Beach Music” and pink shoes. We definitely haven’t seen the last of the heralded “Shagger” or the end of this growing phenomenon!