Gary: This will be a total re-write. About 4 1/2 years ago, in my early stages with the blog, I looked at an artist that was one of my favourites and who had a great influence on me. He was the wild man from Macon Georgia (I read his book) who bounced from Rock and Roll to the ministry many times.
The group that backed him, The Upsetters, set a standard in Early Rock and Roll that most bands tried to copy. So once again I will look at:
1953 / this is before stardom, the Upsetters /
Recorded in 1960 / I’m in Love Again / under the name “The Upsetters” /
Little Richard and the Upsetters
1956 / Tutti Frutti /
1956 / Long Tall Sally /
1957 / Lucille /
With the Sounds Incorporated England
1964 / Rip it Up /
1964 / Whole Lotta Shakin’ Goin’ On /
Tutti Frutti later in life with Steve Cropper & Dave “Duck” Dunn
1969 / Toronto Peace Festival / Good Golly Miss Molly /
1992 Muhammad Ali’s 50th Birthday /
I’m a little reluctant with this video, but here goes / 2008 Grammy Awards / John Fogerty, Jerry Lee Lewis and Little Richard (remember they are old, don’t be too critical)
A-side one – B-side two
1955 – Tutti Frutti / # 17 BB
1955 – A – Long Tall Sally / B – Slippin’ and Sliding / BB #6 & #33
1956 – A – Rip it Up / B – Reddy Teddy / BB #17 & 44 (Reddy Teddy was the better song, my opinion -Gary)
1956 – A – Heeby Jeebies / B – She’s Got it / BB #50 B side did not place
1956 – A – The Girl Can’t Help It / BB #49
1957 – A – Lucille / B – Send me some Lovin’ / BB # 21 & 54
1957 – A – Jenny Jenny / B – Miss Ann / BB # 14 & 56 (Again I liked the B side better, Gary)
1957 – A – Keep a Knockin’ / BB #8
1958 – A – Good Golly Miss Molly / BB #10
1958 – A – Ooh My Soul / B – True Fine Mama / BB #35 & 68
1964 – Bama Lama Lou / BB #82
All of the above are Specialty Recordings
Little Richard Biography
- Born Richard Wayne Penniman on December 5, 1932, in Macon, Georgia, Little Richard helped define the early rock ‘n’ roll era of the 1950s with his driving, flamboyant sound. With his croons, wails and screams, he turned songs like “Tutti-Frutti” and “Long Tall Sally” into huge hits and influenced such bands as the Beatles.
Born Richard Wayne Penniman on December 5, 1932, in Macon, Georgia, Little Richard was the third of 12 children. His father, Bud, was a stern man who made his living selling moonshine and didn’t do much to hide his disdain for his son’s early signs of homosexuality. At the age of 13 Richard was ordered to move out of the family home. Richard’s relationship with his father was never repaired. When Richard was 19, his father was shot dead outside a local bar.
The childhood that Richard did manage to have was largely shaped by the church. Two of his uncles as well as his grandfather were preachers, and Richard was involved with the church as much as anyone in his family, singing gospel and eventually learning to play the piano.
Upon moving out of his family’s home, Richard was taken in by a white family who owned a club in Macon, where Richard eventually began performing and honing his talent.
In 1951 Richard caught his first major break when a performance at an Atlanta radio station yielded a record contract with RCA. But with a repertoire of mainly mild blues numbers that masked the searing vocals and piano that would come to define his rock music, Richard’s career failed to take off as he hoped it would.
In 1955 Richard hooked up with Specialty Records producer Art Rupe, who’d been hunting around for a piano-pounding front man to lead a group of musicians in New Orleans. In September, Richard stepped into the recording studio and pumped out “Tutti-Frutti,” an instant Billboard hit that reached No. 17. Richard’s success didn’t stop there. Over the next year and a half, he churned out several more rock hits, including “Long Tall Sally,” “Good Golly Miss Molly” and “Send Me Some Lovin’.” With his blood-pumping piano playing and suggestive lyrics, Little Richard, along with the likes of Elvis Presley and Jerry Lee Lewis, established rock as a real musical form and inspired others, most notably the Beatles, to make a go of it. In addition to his records, Little Richard appeared in several early rock films, such as Don’t Knock the Rock (1956), The Girl Can’t Help It (1957) and Mister Rock ‘n’ Roll(1957).
But as his success soared, Little Richard, fuelled by his earlier connections to the church, saw his doubts about rock deepen. In 1957 he abruptly and publicly quit performing rock and committed himself to the ministry and recording gospel songs. He recorded his debut religious album, God Is Real, in 1959.
In 1964, following the Beatles’ recording of “Long Tall Sally,” Little Richard plunged back into rock music. Over the ensuing decades Little Richard would continue to perform and record, but the public response failed to match the enthusiasm that greeted his earlier success.
Still, his importance in the development of rock music has never been questioned. In 1986 Little Richard was one of the 10 original inductees into the Rock and Roll Hall of Fame. He was a recipient of a Lifetime Achievement Award from the National Academy of Recording Arts and Sciences in 1993. A year later the Rhythm & Blues Foundation honoured the Little Richard with its prestigious Pioneer Award.
In recent years, the once dynamic performer has taken a break from the concert stage. He fell ill during a Washington, D.C. show during the summer of 2012. The following September, Little Richard suffered a heart attack. According to Rolling Stone, Little Richard described the incident to Cee Lo Green during an interview in Atlanta. “The other night, I didn’t know I was having a heart attack. I was coughing, and my right arm was aching.’ The singer took a baby aspirin, which his doctor credits for saving his life. The deeply religious music icon attributed his survival to a higher power. “Jesus had something for me. He brought me through.”
For a more comprehensive biography including the Upsetters go to http://en.wikipedia.org/wiki/Little_Richard