Johnny And The Hurricanes

Gary: Originally this post was written 6 years ago, by me (Gary) and not very well.  Since then we have gone from a little blog that gets 10 hits a week to a figure that is closing in on 400,000.  I think I have grown as a writer, and do a better job, far from perfect, but a little better. I love instrumentals and this group was one of my favourites.  I thought they were a Detroit Band, but their home was Toledo Ohio. They went to Detroit to be recorded.
Johnny Paris left us in 2006 and who was he?  Well in 1959 I heard an Instrumental called “Crossfire” and I was immediately a fan.  Their next release, even my Dad loved “Red River Rock”, so of course for the people who are old enough to remember I am talking about…

Johnny&TheHurricanes
  Johnny and the Hurricanes
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Videos:

There are no early videos, but I did find some later ones.  Johnny said that he had as many as 300 different musician’s in the band over the years.  I will deal only with the 1959 to 1962 Band, the one that made the impression on me, (Gary).
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1981 / Red River Rock / with a pick up band /
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1997 live in Antwerp /
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1997 / my favourite “Buckeye” again in Antwerp /
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Music:

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They began as the Orbits in Toledo in 1957. Led by saxophonist Johnny Paris (born John Pocisk, 1940, Walbridge, Ohio, died 1 May 2006, Ann ArborMichigan), they were school friends who played on a few recordings behind Mack Vickery, a local rockabilly singer.

They signed with Harry Balk and Irving Micahnik of Twirl Records, which led to national engagements in 1959. Johnny and the Hurricanes recorded “Crossfire” in a vacant cinema to provide echo. It became a nationwide U.S. hit, and ranked No. 23 in the U.S. chart in the summer of 1959.

Johnny and the Hurricanes followed with “Red River Rock”, an instrumental version of “Red River Valley“, on Warwick Records, that became a Top Ten hit on both sides of the Atlantic (No. 5 in the U.S., No. 3 in the UK), and sold over a million copies. The musicians in the band then were Paris on saxophone, Paul Tesluk on a Hammond Chord organ, Dave Yorko on guitar, Lionel “Butch” Mattice on bass, and Bill “Little Bo” Savich on drums.

They specialised in versions of old tunes with a rock and roll beat. They chose these songs because they were well recognized and easier to accept with the beat. Tunes were credited to ‘King, Mack’ and usually one other name: King and Mack were in fact pseudonyms for Harry Balk and Irving Micahnik, the band’s managers In 1960, they recorded the United States Army bugle call, “Reveille“, as “Reveille Rock”, and turned “Blue Tail Fly” into “Beatnik Fly”. Both tunes made the Top 40 achieving number 15 and 25 respectively. The band also recorded “Down Yonder” for Big Top Records. In the same year, they recorded “When The Saints Go Marching In” as “Revival”, but it ranked in the charts for just one week, peaking at No. 97. The record was flipped over in the UK, where “Rocking Goose” reached No. 3 in the UK Singles Chart.

The band developed a following in Europe. In 1962, they played at the Star-Club in Hamburg, where the Beatles, then a little-known band, served as an opening act. Johnny and the Hurricanes cut records until 1965, with “Old Smokie” (their cover of “On Top of Old Smokey”), and an original tune, “Traffic Jam”, both on Big Top Records, being their last releases to chart in America. Johnny Paris, the only constant member of the band, continued to tour with his Hurricanes in Europe and the United States until his death. He had an uncle, a realtor, in Rossford, Ohio, Johnny’s home town, who owned a building on the main street and offered Johnny’s first wife, Sharon Venier-Pocisk, space for an antique shop. When not on the road he helped out with the antique shop and vending machine business as payment for the store front for his first wife.

Johnny Paris and his band toured Europe occasionally until the end of 2005. He died on 1 May 2006 at the University Clinic of Ann Arbour, Michigan, of hospital-borne infections after an operation. Paris’s second wife and widow, the German journalist and novelist Sonja Reuter Paris, took over his business (Atila Records, Sirius 1 Music and Johnny and the Hurricanes Incorporated) and the rights to his songs and trademarks. Paris claimed that over 300 musicians played in the band in its fifty-year existence.

The band inspired the song “Johnny and the Hurricanes” on the album How I Learned to Love the Bootboys, by the band the Auteurs. They were also name checked in the Kinks‘ 1973 song “One of the Survivors”, and in “Bridge in Time” on the 1990 Burton Cummings album Plus Signs.

–o–

 

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2 responses to “Johnny And The Hurricanes

  1. Pingback: Instrumentals of the 50’s “The Lost Music” | Russ & Gary's "The Best Years of Music"

  2. Pingback: Instrumentals of the 60’s “The Lost Music” 1960 to 1962 | Russ & Gary's "The Best Years of Music"

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